This selection of photos was taken at the Candelo show today using the Olympus 40-150mm f/2.8. These photos are generally at the 150mm end of the zoom and at f/2.8. They show great detail for a zoom lens wide open at the extreme end of its zoom.
Sunday, 18 January 2015
Saturday, 17 January 2015
Olympus 40-150mm f/2.8 Review
I bought the Olympus 40-150mm f/2.8 mainly due to my interest with photographing musicians and they tend to play indoors from time to time. That test will have to wait, but here is my first impressions review.
The first thing that impresses about the Olympus 40-150mm when first come across it is the size of the box. Is this really a Micro Four Thirds lens or is it full frame. That’s one big box for a zoom lens that only extends to 150mm.
Unboxing, the lens is far smaller as it only occupies the bottom part of its huge container. There is some empty cardboard which is presumably for the optional tele-converter, the lens hood and a rather thick and substantial bag for the lens. The lens itself wrapped in plastic with the sliding hood reversed and over the outside of the lens.
On the camera, the lens doesn’t look nearly so large unless you extend the generous hood.
The feel is superb. It looks quality and feels quality with
a combination of metal and top-grade plastics. The fat zoom ring and the focus
ring feel very nice. The usual snap manual focus a joy to use.
The first thing that impresses about the Olympus 40-150mm when first come across it is the size of the box. Is this really a Micro Four Thirds lens or is it full frame. That’s one big box for a zoom lens that only extends to 150mm.
Unboxing, the lens is far smaller as it only occupies the bottom part of its huge container. There is some empty cardboard which is presumably for the optional tele-converter, the lens hood and a rather thick and substantial bag for the lens. The lens itself wrapped in plastic with the sliding hood reversed and over the outside of the lens.
On the camera, the lens doesn’t look nearly so large unless you extend the generous hood.
The lens hood is very clever and so simple, a little twist
of the ring and pull it back when not in use makes the 40-150 relatively
compact (but stubby) when not in use. You never have to take it off.
The tripod collar is just the right size and is very sturdy.
It can be removed if you need for total hand-held shooting and while the foot
of the collar is small, it seems very sturdy when mounted. I use Arca-Swiss style
quick release plates and while the 60mm plate I use most frequently seems a
little large, I can flip up the front anti-rotation tabs when using on the
collar – very nice.
Handling is really good when coupled to the Olympus OM-D
E-M5. This lens is never too big and works fine hand-held or on a tripod.
The photos produced by this lens are very sharp, even at
f/2.8 and always very good contrast. The focus is reliable and focus speed
adequate in good light and gets there without hunting in poor light. Streets
ahead compared to my previous telephoto zoom, the Panasonic 45-200mm which is
neither very sharp and a dog to focus on Olympus cameras.
Well,
is the Olympus 40-150mm f/2.8 perfect? No. I do have a couple minor disappointments.
Focus speed is not stellar in good light. I was expecting something closer to
the speed of the 12-40mm zoom; however, it is quite adequate for purpose. A focus limit switch would
have been nice and would speed things up with normal use. Another issue also
concerns focus but in this instance the manual focus and the excessive amount
of travel beyond the infinity mark before it reaches the hard stop. I really think Olympus could be a bit more precise here.
Overall,
a fabulous lens and worth every cent.
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